February 28th;
Sleepless in small hours, so finish mother's copy of
'A
Book of English Essays', edited by W.E.
Williams. On my to-do list for ages, finally get to read Hazlitt, Lamb, Goldsmith
alongside each other. Addison's piece about Ladies' Head-dress is an intriguing glimpse
of seventeenth-century fashion looking back to fourteenth-century fashion. Steele's
fascinating account of a bare-knuckle prize fight in around 1700 is another piece of
reportage. I wonder if many of the newer essays will be frustrating for future readers
because the lovely writing leaves out the details of the era that they are curious
for. Huxley presents a literary theory of realism, and V.S. Pritchett, in almost
the final essay, defends Swift's satire of the hovering island Laputa as the most
far-sighted of the elements of Gulliver's Travels. I've always found Swift fatuous
myself, and what Pritchett takes to be his attacks on today's reign of science always
struck me to be smug Enlightenment sneering at the very idea of doing science at all.
If that's right, a worrying close to a book that opens with two
essays by Francis Bacon, one of the first philosophers to promote systematic
study of natural laws. Perhaps I'm being unfair.
Think I'll stop posting links to YouTube pages, since most of them go dead so soon,
but here are a curious pair of early-70s tunes by
ex-Mohawk-turned-TV-theme-composer Alan Hawkshaw:
1
2.
Other sites noted on the orange
talkboard: the utterly Germanic project
Naked People;
a Russian-sounding photographer whose models look good
clothed & naked;
the surprisingly sweet we-left-two-cameras-on-New-York-park-benches
page;
and the delightfully simple idea
'If
WW2 Was Fought By Gamers'.
February 27th;
Zsolna & Gregor hold their end-of-season drinks at
an art
gallery. Bump into Miklos B,
Eszter again, and Jaap & Ilonka. Afterwards with Mystery Friend 2 [who buys us all some
intoxicating cocktails of some sort], Edit, and Martin, to various locations. I become
drunk & morose. Last
night's chat with Magdolna was particularly interesting. Heard about her 2-day meditation
course, this handy website
for typing in Cyrillic, and the draughtsman
Lajos
Szalay on show here
who lived and worked in Buenos Aires & New York.
February 26th;
Spring thaw continues. Man makes
scale
model of Herod's Temple. High-pitched
whine oldies cannot hear.
Manchester IP firm messes up the paperwork for
this
excellent patent.
February 25th;
Someone phones me to say she had a nightmare last night and I was in it. Lunch with
Georgina in Kecskemet. Train to Budapest in mid-afternoon. Slanting shadows from a
yellow winter sun on the horizon slice the open carriage into ribbons of dark and light.
Nap for a couple of hours at home, then drinks & dinner with Edit & Mystery Friend 2.
Back from Moldova, Mystery Friend mentions a magazine 'Moldova: The Easy-to-Read Guide to
Moldova & its Success', and cruelly reveals that one journalist here is an
ex-Moonie &
a train spotter, once interrogated for two days in former Yugoslavia after being found
in a bush next to a marshalling yard, with sandwiches & a thermos flask,
noting down the numbers of railway locomotives.
We touch on rumours of general naughtiness among the lasses of Budapest.
February 24th;
Sanyi
of the Stranded Truck prepares tasty lunch in
Robin & Georgina's kitchen.
February 23rd;
Lunch in Gyor with Currency guru
Matthew from Geneva. We choose a place called Big Ben filled with
luridly coloured velveteen sofas. Later on, train down to the Alfold, where Georgina picks
me up. Sanyi of the Stranded Truck is at the wheel of her car, driving us across the
snow-covered plain in the dark chattering away in his incomprehensible dialect.
February 22nd;
I get good spam.
February 21st;
Dinner with Eva P.
February 20th;
Curtis Liggins asks.
Mel Britt answers.
Farsang party {I forget to do a mask or fancy dress} just over the river with Zita P,
Eva B, & Istvan, who tells Zita with glum humour that she
has named her adored 2-year-old daughter after the Roman Princess of Darkness. Meet Gregor
& Zsolna, chat to Zoltan from Geneva [who predicts "violent social unrest"], bump into Eszter.
February 19th;
Pick up Canadian chainmail thing from the parcel centre. Cold wind, sleet, and grey
slush in the streets. Oscar Perry makes a quick-paced
plea
for reason. Judy Freeman says we won't have to
wait much longer.
February 18th;
Wake out of strange rich dreams. Here's a
colour
sketch
pad.
February 17th;
Rise late, still a bit feeble, and go downstairs to find two posties standing in the
lobby. They have brought me two lots of modafinil at once, so I sign for them. I take
200 milligrams, and change to meet Robin at the
Katti Zoob fashion show Zita P has
helped to organise. The show has an early rhythm & blues soundtrack and is
themed around the 1950s and early 1960s, so roughly from Dior's New Look to Mary Quant.
The pale greens and rich yellows are the best fabrics, but it is quite hard to focus
on them because of the three mannequins. The dark-haired minx, the strawberry-blonde
lynx, & the dark-haired vixen, all willowy and almost unnervingly pretty.
I have difficulty understanding the discjockey's accent while he chats during each
break while minx, lynx, and vixen change into new frocks, but Hungarians assure me they
cannot follow him either, which I somehow doubt. Briefly meet Ms Zoob. Later with
Istvan to an event where a Japanese man paints pink blobs on a large piece
of white cloth while two jazz-funk guitarists improvise. There we bump into
Andrea.
The curious, detached sense of clarity makes itself felt here, and
Istvan, Andrea & I discuss the woman's point of view in romance. Andrea, with a bit
of cross-examining, is very articulate. If anything, the medication makes me more
sympathetic to the woman's point of view. Early on, at the fashion show, I find myself
suggesting to Robin that
Luce
Irigaray might be worth reading, and recommend him her
description of woman-as-unmappable-tactile-surface. Now in the small hours, I find myself
paying close attention as Andrea explains her frustration with a man who is not courting
her, and then gives her advice when at the end I pose my own romantic query. Sometimes
mysterious {at one point, quite drily and without drama, she says "I am much bigger than
any liar, I am the lie itself."}, but usually cogent, she mostly disagrees with Istvan.
Yet towards the end, they start to converge. Andrea states quite firmly that in a courtship
the woman's opinions or inclinations are totally valueless - the man is generating new
emotions and either he changes something inside her or he fails to change something
inside her, and in neither case does it make any sense for him to consider what she
wants as separate from what he makes happen. He is
action and she is object - something like this. Then Istvan chips in and describes
Goran,
his womanising Serb friend in the ad industry, with a remarkable sentence.
"Goran never respects the individual woman,"
Istvan emphasises, "Goran
always respects the situation, the seduction itself, the moment." At this
instant, like two separately working pieces of machinery, Andrea's view and Istvan's
view seem to click into engagement, like two cogwheels. Andrea stresses
the primacy of the moment, and criticises the educational philosophy behind the
upbringing of Englishmen who fail to seduce women properly,
because of its overemphasis on the individual, and, she claims,
its forgetting of the moment. I ask if Rudolf
Steiner's education theory, stressing
music and dance and rhythm for children is better, and Istvan talks about a diagram
that Steiner used to explain how schooling should work. Both underline the value of
now, presence in and homage to the moment, and I realise they both are
attacking what at college my tutors would have called 'personhood'. "Moments are
all there really is" says Andrea, in the composed voice of someone who has thought
about this quite a bit. "This idea of people, individuals, is a false ideology -
it can never be like that, though it's a very strong illusion. Romantic love demands
people break free of this illusion." For a second the idea flickers up in my mind
that this is like the peculiar time-space description that
Benjamin
Lee Whorf claimed held in the Hopi language, blurring multiple and singular
entities. Or like the disciplined Japanese struggle to forget habitual thinking,
and achieve no-mind, unwilled willing, through Zen. Or like Gurdjieff's teaching of the
struggle to stay 'awake' and evade the grids of categorical thinking, the struggle
to stay alert and present. The Japanese, the Hopi and all the Amerindians,
the Hungarians [and, so Gurdjieff alleged, the
"remarkable
men" who taught him] all originally
came from central Asia, of course. From thousands of years of restless, spaceless movement,
tribes moving around like ships across the vast empty plain, alternating between sudden
action and decades of inactivity. At this point, I decide it's the modafinil
talking, we all part, and at 3am I pad home softly through still streets carpeted with
snow. A few fat flakes are still drifting down and forming little jagged white
blades on the overhead tram & trolleybus wires.
February 16th;
Spend most of Monday in bed/sofa. Today am able to eat 2 pears and 2 bananas, though
still feel hollow from yesterday.
Read 'How
to Lie with Maps' by Mark Monmonier to
cheer myself up between fits of dozing. Perhaps a book
Simon
Blackburn, fond of the map metaphor, might read.
A bit plodding in style, very American, full
of references to "the cautious cartographer" and "the unwary map-user". Some nice
examples of how every map simplifies and distorts, in fact must do so to work.
Examples of invented streets, bogus rail lines, imaginary towns and disappearing road
junctions. Nice to get clear in my head at last that longitudes and latitudes are the
angles and meridians and parallels are the lines.
February 15th;
In the night, I wake up feeling very ill indeed. Exhausting diarrhoea and vomiting. Sunday
morning manage to get Jeremy to go to
Austria
in my place so I can rest and vomit a bit more. Disorienting dreams. Food poisoning?
February 14th;
Quiet day preparing for a week teaching in
Austria.
February 13th;
Meet Magdolna at Ludwig Museum to see the exhibition she recommended. On
the way up we pass through a room of Finnish stuff, including something like the
Jehovah's Witnesses' conception of paradise, a long picture called
World of Plenty by
Tea Makipaa. Then upstairs we
reach a whole floor of work by the prolific Hungarian woman artist
Dora Maurer.
She started out as a very formal conceptual artist, doing beautiful analytical
sketches of small movements in photographs, permutations, overlapping grids, interactive
photography, moving in methodical steps through paper folding, experiments with different
tones under different lights until her recent work with curves, complementary colours, and
false perspective. We are guided round by a thoughtful Hungarian girl who was taught by
Maurer.
Only in her very latest works does Maurer seem to gain some release from
her relentless self-imposed research programme. Puritanical precision seems at last to
be transcending itself and finding the
elusive simplicity she's been struggling towards for so long. Interesting and
hard-working artist. Afterwards to the gym. The muscular
girl Jim chuckled might thump me if I said "dyke" too loudly, catches my eye on the
way in. She nods at me with a fatherly smile of approval, as if pleased to see I'm not wasting
a Friday night on frivolous socialising or imbibing unhealthy beverages. She seems to be
in there all day every day, always with a large-shouldered male trainer giving her advice.
These calmly bovine male coaches change from day to day, but are always quiet & patient,
giving softly-spoken but clear explanations if she snaps at them. A couple of weeks ago,
I saw one make her lie face down on a rubber mat while he massaged various parts of her
back, arms, legs in a curiously distant way. I realised he reminded me of the detached
gentleness of a vet probing the stomach of a labrador for abnormal swellings.
February 12th;
Up early to dub a video with Peter L for
this
security firm. At one point my character
asks what the main external thing securing a bank is, and the expert answers that the first
line of defence is the walls. As I get to the area round Csillaghegy for the morning of
sound recording, stunned by lack of sleep, I look for a shop to buy breakfast. Sharp, low-angled
winter sun cuts across busy traffic. I suddenly walk into an intense gust of bone-chilling
wind and feel enormously free & alive. Just make it back into town in time
to invigilate an exam where oddly
criminal-looking economics students slouch and twitch in silence. To awe them with my vicious
neutrality, I get out my tin of clear wax and some tissues and ostentatiously polish my shoes
in the centre of the examination room while they scowl in bafflement at their question papers.
Sleep a bit in the afternoon, and then find this
excellent
video by Nigel of Darkness' friends The Who Boys, formerly McGovern, together with
the Tony Crackburn Orchestra.
February 11th;
Wonderful late lunch with Politics Judit. In a small tucked-away restaurant we devour
a platter of cured meats, drink wine & coffee, and gossip wickedly. In the evening,
Magdolna & I try her wonderful soup while talking
late about multi-lingual scrabble, the meaning of
Harry
Potter, and astrology - her daughter is Scorpio with Scorpio rising like me.
February 10th;
Train into Budapest delayed by accident on track: a suicide? Three women in my
compartment get quite chatty & sociable. We all strike up acquaintanceship cheerfully
discussing someone getting cut in half by the train in front and how this mishap has
inconvenienced us all. Gypsies in the next compartment start singing "What are you
doing?" and finally join us for cigarettes and a genial natter about
one lad's recent release from prison. He adds happily that his three
little sisters of various sizes {enthusiastically trying to climb out
of the windows} will be much easier to bring up properly once his baby's mother
gets out of prison too in a couple of months. In Budapest sleet is falling. Meet
landlady, buy turps, pick up 2nd-hand law tome from postbox, and meet Foreign
Correspondent Edit with her dog Simon for
Mexican snacks.
February 9th;
Georgina's friend Eva leaves after spending last night in the sitting room with
Georgina. Robin
& I still cannot get the acacia logs to burn reasonably in the hearth.
February 8th;
Rainy, English weather. Not cold at all on the Great Plain. Much mud, slight mist.
This
site wants to rate the greenness of stuff we buy.
February 7th;
Robin
& I take train to countryside together. Georgina picks us up in the red car at
Lakitelek. In the evening, go with Georgina & three of the children to a new swimming-pool
complex at Tiszakecske. In an outdoor pool of hot mineral water we indolently splosh
around like prehistoric creatures. Underlit clouds of steam billow up into the night sky.
Back inside the swimming-pool restaurant, while the boys wolf their pizza and ladylike
Zsuzsi shares her pizza with me and tries not to look too interested, Georgina gives her
thoughts on my romantic interlude this week.
February 6th;
Breakfast with Mystery Friend 2, on his way to the
airport. Beautiful bright winter sunshine.
February 5th;
Britain's estate agents soldier on.
More editing of credit-crunch book. More lovely wine with thoughtful Magdolna, as she tells
how she almost went blind.
February 4th;
Poor Akos
has gone missing.
February 3rd;
A British
printer phones my Hungarian mobile to discuss reducing his quote, so
someone's trying at least. If you want to know more about Britain's state,
this
page might help. Increasingly odd people are contacting me.
Yesterday my three newest Facebook friends were 1. someone
calling himself 'The Mad Greek', 2. a person with a photo
of a muscular black man in manacles & chains named
'Joe Mandingo Munguengui-Kikujunga', and 3.
Cody,
who though she is "Chilling with her
hampster Dusty" is at least someone I know. On the other hand,
she's ten. Might be time to rein in my online social life slightly.
Robin drops by,
and we drive out by night to the basic pizzeria across the river for some properly-done pasta.
February 2nd;
More publishing chaos. Fruitful phone chat with Bob from Philadelphia. He recommends
this fine song
by the Rezillos {note the girl singer who's overdone the coffee}, and I alert
him to some unfairly-neglected British
children's
television. Bob sees the Clangers as not unlike West Virginians and appreciates
the colour & texture of the fabric they're made from.
These
people write to me. Particularly like the look of the course 'Running Your Own Cult', led by
the excellently-named Reverand Ivan Stang.
February 1st;
Wake up late. Finish Robin's book
'De-Architecture'
by James Wines. An interesting long essay from the 1980s by a founder of SITE,
postmodern architecture firm - or not - depending on whom you believe. Wines
says the central challenge of architecture is communicating communal
ideas, and that an architecture that cannot integrate buildings with other
arts [such as sculpture], as the International Style cannot, is in trouble.
Nonetheless, he goes out of his way to praise the International Style, while
suggesting that the questioning, irony, and dialogue behind Marcel Duchamp
and Dada still has insufficient influence on architecture. He discusses the
wit and human civicness of Renaissance & Baroque architects like
Michelangelo or
Bernini.
The index of 1980s-era, dogma-softening projects
by architects, sculptors, installation & conceptual artists like
Nancy Holt,
Robert Smithson &
Richard Long
at the back is stimulating to see in an architecture book. SITE's open-minded
High-Rise
of Homes remains unbuilt.
Mark Griffith, site administrator /
markgriffith at yahoo.com
back
up to top of page